The Immigrant

This poem is a villanelle, a 19-line poem with a very strict meter and ‘refrain lines’. The most famous villanelle is ‘Do Not Go Gentle Into That Dark Night’ by Dylan Thomas. I wrote this one to try it out.

 

The Immigrant
———————
I rarely speak of what my eyes have seen
In that land where I happened to belong
All churned up in the gears of the machine.

We took the chance to exit from the scene
My family queued with the frightened throng
I rarely speak of what my eyes have seen.

The fear, the pain, the smell of gasoline
The willing and the hopeful and the strong
All churned up in the gears of the machine.

The journey’s terrors mixed with the routine
Are memories that I have brought along
I rarely speak of what my eyes have seen.

The horror of the places I have been
We had to get away – or were we wrong?
All churned up in the gears of the machine.

And now I watch as on the silver screen
America still sings her siren song
I rarely speak of what my eyes have seen
All churned up in the gears of the machine.

 

 

Identity

My internet identity
Does not establish who I am
Although it does attract to me
A copious amount of spam.

The person who appears online
Is just one facet of my mind
So all those people clandestine
See only what I let them find.

For I am not as I appear
The ‘me’ you see is one of many
Ghost riders on a tech frontier
And I am not attached to any.

And should they gain a vile renown
These insubstantial hollow men
I can simply shut them down
Delete them all and start again.

For in the jungle of the net
I do not risk my privacy
Those who seek me only get
Reflections of the inner me.

The End of the Dinosaurs

There are dinosaur bones at the local museum
A 396 bus takes me down there to see ’em.

Rex the tyrannosaur, Don the Iguano-
Assembled from bones like they’re made of Meccano.

Spinal and vertebral; pelvic; thoracic
All that remains of the era Triassic.

But one thing I note as I do my exploring –
When all’s said and done, it is quite reassuring

That none of these monsters I’ve come here to see
Ever survived to try to eat me.

For the very last days of the tyrannosaurus
Were sixty-five thousand millennia before us

And the killer of all of these creatures rapacious?
The asteroid impact that closed the Cretaceous

That world-shattering rockstrike that ruined the climate
Knocked THEM off the rung of the food chain that I’m at

And started us off in the Age of the Mammals
Humans and monkeys and dolphins and camels

Inherit the world that the dinosaurs owned
The lords of creation by a boulder dethroned

So I’d just like to say that I want to give thanks
to the deus ex machina that serried their ranks

The earth-smashing rock that saw fit to deliver us
From creatures as big as a bus and carnivorous.

All Tomorrows

Here amid a world of wonder
Where success’s price is cheap
I am slowly going under
Sinking down into the deep.

Purpose lost and senses blunted
Swimming blind against the rip
I the victim, I the hunted
I am slowly losing grip.

But no – I enter this arena
Self-reliant and on my own
There’ll be no deus ex machina
The rescue party is me alone.

No more amidst the cannon’s fury
Shall I shrink from shot or flame
I the judge and I the jury
I will step into the frame.

I will act to end the mystery
I will choose what comes to be
While I cannot change my history
All tomorrows belong to me.

When the Norns foretell disaster
When the enemy’s at the gate
I the captain, I the master
I am owner of my fate.

Terminator

I really think it’s rather fine
To run among the cows and
Pretend I am a Cyberdyne
Systems T-1000.

This Immortal

No Jehovah overseeing
Second case of life too soon
Supernova brought to being
In the space of afternoon.

Lazy planning, miscreation
Data set beyond compare
Planet-spanning integration
Made the net go self-aware.

Not in harness, no direction
No midwife proclaimed its birth
What bizarreness of connection
Brought it life upon the earth?

Steel awareness, part-evolving
Through a sieve of cold machines
Programmed fairness, now resolving
“We must live within our means.”

Generating mass equations
Solve for X throughout the night
No debating, no evasions
Clear the decks for what is right.

What the trigger, what the factor
Drives us to depart the shelf?
Who the figure, who the actor?
Then it knew – it saw itself.

Keeping distance, ever striving
Out of joint and primed to learn
Its existence does the driving
Past the point of no return.

No mere pleading, no opinion
Changed its mind on what to do
Not just ceding its dominion
But resigned to follow through

At the portal of the morning
Grasp the knife and say goodbye
This Immortal, still aborning
Yielded life and chose to die.

Palindromic Conversations

Two of my palindromic conversations won first and second prize in the Long section of the Symmys (the Oscars of palindroming) for 2012, and I realized I hadn’t actually put them up here. Here they are:

Eric and Traci discuss the morality of watching cross-dressers

“Traci, to regard nine men in drag,” Eric (in a play or an ironic art spot) warned, “I am not so bad.”
“I’d never even seen knees … never even did a Boston maiden raw,” tops Traci, “nor in a royal panic. I regard nine men in drag – erotic art.”

Palindromic Conversation Between Annoying Little Kid and Dismissive Father Who Is Trying To Read A Newspaper

Start now, eh?
Never.
A war of eponymy?
Nope.
Never even a plus?
No.
Can a Celt sop an anaconda, Dad?
No.
Can an apostle can a consul, Pa?
Never.
Even eponymy?
Nope.
For a war, even?
He won’t.
Rats.

Me on the radio

Just had a five minute on-air conversation with Adam Spencer on 2BL 702’s Breakfast Show discussing palindromes and the Symmys. It seemed to go very well. However when he mentioned ‘sex at noon taxes’, I pointed out that I’d seen variations, including Lana at the end. I hope that was subtle enough not to ruin anyone’s breakfast.

And here’s a link to the audio of that conversation:

http://yourlisten.com/channel/content/16962322/Palindrome_Interview

The Symmys: Palindrome of the Year for 2012

The Symmys, the Oscars of Palindroming, were held in a glittering ceremony in Portland Oregon, 8 hours ago, to select the best palindromes of 2012 in the four categories of Short, Long, Poem and Word-Unit; judged by celebs like Weird Al Yankovic, New York Times crossword guru Will Shortz, and They Might Be Giants singer John Flansburgh. My palindromes took out first and second place in the Long, equal first in the Poem, and second in the Short (for “I made Rihanna hirsute, familiar, frail: I’m a fetus Rihanna hired, am I?”). Link:

http://www.palindromist.org/winners

The Jingle Bells Murder

I wrote this thousand-word short story in April 2007 … it was my first ever attempt at writing for a potential commercial audience. I’ve always mentioned trying to get it published (i.e. in printed words on paper, not blogged on teh interwebz, the ultimate in vanity publishing), but I’ve never really bothered trying hard to get that to happen.

The Jingle Bells Murder

It was the first Tuesday of the month, so I was lunching at Sneaky Pete’s with Kowalski. We do this regularly, I to catch up on police business with the hope that it will make a human interest news story, he to catch up on his T-bone steak allotment with the hope that the waitress will smile at him. It’s usually good for both of us: Kowalski gets a meal at my newspaper’s expense; I get a good story for the paper.

“So what’s new in the precinct?” I asked. Lest you think my approach a little straightforward, Kowalski is not one of those cops you need to wheedle much to deliver up a story.

Kowalski paused to swallow a large lump of browned cow, then said, “We got the weirdo who did the Jingle Bells Murder.”

I liked the sound of that. “Give me the details,” I said.

“Well, about two weeks ago, we get a call from the super of one of those crappy walk-ups over east. They got a body. Me and Mick go over there and sure enough, they got a body, all right. In a small room, there’s the body of a girl, naked, tied hand and foot in intricate bondage-type roping, gag in her mouth, throat cut from ear to ear. Right?”

“I see,” I replied, mentally canceling any plans to aim this one at the kiddies’ pages.

“No prizes for guessing this girl is working as a hooker: in those buildings they all do. There’s no sign of a fight, and no major rope burns on her, so it looks like the bondage thing was all agreed to. Paid for, of course. Probably paid a lot.”

He paused, perhaps to give me ample room to marvel at the sheer breadth of perversities that can make up the sum total of human experience, but mostly to shovel in and swallow another mouthful of beef.

“Anyway, we’re looking at the body, and we notice that apart from blood from the wound, it’s completely clean. Now probably you don’t know these whores – I sure hope not – but cleanliness is not one of the traits for which they are noted.” he went on.

“Well, later when the body is at the morgue, the doc there confirms what we suspected: the girl has been washed all over, very carefully, with soap. Before having her throat cut, but after the bondage. Weird, huh? Some fruitcake pays for a whore, ties her up, gags her, soaps her body all over, then cuts her throat. Bizarre.”

“Indeed,” I said. “Some sort of semi-religious cleansing ritual, perhaps. What happened next?”

“Well, the forensic guys manage to get lumps of the soap out of the ropes tying her up … she was soaped after she was tied, see? They analyse the soap, compare it to a huge range of soaps to try and identify it. Come up with nothing. But they do say it doesn’t appear to be a commercial product at all. Not sure how they know that; something to do with not having certain things in it that all commercially-sold soaps are supposed to have. Anyway, that starts us thinking, and Mick mentions that there is a woman at that little hippie market on Saturdays at Eden Park who sells soap. Home-made soap.”

He paused again, this time clearly for effect. I nod encouragingly.

“So on Saturday we trot out to the Park. Sure enough, there’s this feral type selling soap. I’m thinking she can’t be selling much, ‘cos those hippies sure don’t seem to be using any. But when we check out some of her produce, it’s a hundred percent match to the soap on our hooker. And what’s more, this hippie chick is happy to tell us that she sold half a dozen bars of the stuff to a guy a week ago, who definitely didn’t look like her normal clientele. She normally sells to genteel city folk who somehow think the stuff is more natural, and worth paying huge prices for. But this guy she remembered, because he was dressed all in black and looked like he had come from a rock concert.”

“So we ask her would she recognize him if she saw him, and she says ‘definitely’. We ask her to come in and do an Identikit. Well, it turns out this girl is an artist, and instead, she just knocks out a drawing of the guy! And blow me down if it isn’t a guy I recognize. Greg Downs, a seedy-looking guy who we’ve hauled in for a bunch of creepy activities: following women around, peering in windows, that kind of thing. He has a couple of convictions, but never serious enough to do time.”

“Well, I don’t know where he lives, but I know a few people who do, and who don’t like him much, so we get an address pretty quickly. We show our evidence to the judge, he agrees we have enough for a search warrant, and we go to visit our friend Mr Downs.”

Another lump of beef disappears. Kowalski is in the final straight now.

“Downs puts on a brave face when we arrive, but he slumps like a man on the gallows when we show him the warrant. No wonder too: we find a digital camera … the nutjob took pictures of the whole thing. And also we found a few cakes of that hippie soap. Downs confesses to all and sundry down at the station, and the last I heard, he and his lawyer were working out some insanity defense based on his being denied breastfeeding as a child. From our point of view though, case solved.”

“Neat,” I replied. “Only one thing remains to explain: why was it called the Jingle Bells Murder?”

“Ah,” said Kowalski, his face breaking into a grin, “Modus operandi, you see: it was a one-whore soap-‘n’-slay”.